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Noir was nothing if not a reaction, a reflection of a nation reeling from despicable evil overseas and revolutionary upheaval on the domestic front. The men—including the screenwriters—had gone off to fight, and as the women stepped up, into the public sector and newfound independence, studio chiefs turned to the fast-and-cheap pulp mysteries of Raymond Chandler, Dashiell Hammett, and James M. International directors like Fritz Lang, Michael Curtiz, and Robert Siodmak, who’d honed the dramatic visuals of German Expressionism, fled their war-torn homes for the plentiful opportunities in Tinseltown. Some define noir as or by a tone, and it’s very much a mood, a sensibility. For the purposes of this introduction, let’s call it a response. We think of noirs as urban stories, but that’s not always the case—for every L. Though its blueprints were everywhere, noir forged its own language, its own playbook, its own universe.We focus continually on usability, speed and features. The web app allows you to use all of the sites features when you are on the move.Unlike other apps you don't have to swipe through 1000s of people before you can communicate.Two of the three founders of Moonbot Studios are festooned in Mardi Gras attire, leading 100 people through the streets of the French Quarter as they push what appears to be a puppet shaped like a gloriously fat woman stuffed into a shopping cart. Her gray hair is pulled back and up into a ponytail.

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